I have recommended to my advanced students that they also join Piano Street since getting sheet music from there is a much less expensive alternative to ordering and paying for the music. It is helpful that many of the scores include an audio clip of the piece being played. The difficulty rating system that Piano Street uses enables me to search by difficulty level for pieces at my students' various playing levels. I can browse the collection for pieces I want to play and/or have my students play. "Piano Street has been a wonderful tool to me as both a pianist and a piano teacher. To find the scores locally would have been inpossible as it was a smaller town, the nearest music store 45 minutes away."
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I was able to print out excellent editions of the pieces I needed within minutes. So, I google-searched for classical downloads and found your site. At the last minute they requested some Chopin, which I had not brought with me. "I was in Poland the past summer to give 2 concerts. "Wonderful service! I have no reservation in recommending it as a "must" to all pianists, both teachers
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I have recommended the site to many of my friends who play the piano. The pieces are all well-graded and the audio is really useful, especially for pieces not heard before. "As a frequent user of I find it easy to navigate, great value for money and very professional. It is an excellent resource for students and teachers alike and there is very rarely any need to visit another website or music store in search of sheet music." "All of my students are members of Pianostreet and many of my teacher colleagues have joined as well. Members who like this piece have also downloaded: Interpreters of this piece need to be able to sustain the long melodic lines, balance the different levels of sound, and convey the two contrasting moods convincingly. The repeating A-flat (written as G-sharp in the middle, ominous section) never stops throughout the piece. The first theme is reintroduced towards the end of the prelude, giving it a peaceful ending. The feeling of uneasiness present in the middle part is made even stronger by the serene calm and beauty of the first 27 measures. Listeners and music historians have likened it to a beautiful dream that turns into an oppressive nightmare. Chopins first published waltz for solo piano, expertly handled under Lang Langs fingers. Grande Valse Brillante in E-flat major op. The peaceful opening soon gives way to some of Chopins more stormy writing. The C-sharp minor section begins rather suddenly in measure 28, and with it the piece changes from something peaceful and serene into something much darker. Lang Lang tackles the first in the set of three nocturnes, written between 18.
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Within the rather short piece - even if it is the longest of the preludes - Chopin manages to build up two entirely different atmospheres, using the same obsessively repeated note. A beautiful dream turns into a nightmare.Here is a miraculous example of Chopin’s amazing virtuosity in translating human emotions to piano music.